October Moon - Spring 2003

Spring 2003Leslie Laurence, Editor

Poetry

Brian
Rosenberger

Arlene
Ang

Fiction

Stephen
Collicoat

Christopher
Brown

Tim
Johnson

Ben
Farmer

October Moon

Plastic Love

He looked at the keyboard, the keyboard looked back him. It had two piggy eyes placed above the centre of the function keys.

Write. It whispered to him, using a smaller font than usual. You know you want to

The writer sipped his hot drink, his hands hovering over the keyboard, but he didn’t touch the keys. If he touched the keys the keyboard would murmur words like:

Ohh, I like it. Touch my buttons, harder, harder!

The man couldn’t concentrate with those eyes looking at him, those terrible words filling his skull. He used to touch-type, never once looking at the keyboard, but it would always weep when it did this and his fingertips would become damp from the tears.

Sometimes, when the computer was off, he could swear the keyboard was talking to the monitor. He could never hear specific words, and whenever he drew close, the noise would cease. But when he lay in bed, he could hear them. Talking. About him.

He sometimes sat in his study, listening to Angelo Badalamenti, while his keyboard wrote poems to him, conspiring with the monitor and the hard drive to get him to fall in love with them. If he lit a cigarette, the computer would instantly crash and the eyes – those manic, bloodstained eyes – would gaze mournfully up at him, begging him to put it out.

Sometimes he would talk back to it.

‘What do you want?’ he would ask.

Just for you to caress me with those long fingers of yours, the words would appear upon his screen. Touch me.

‘No!’

Play with me.

‘Why won’t you leave me alone?’

Because I want you. I want to be yours, together we’ll write the greatest novel ever written.

‘Leave me alone!’

The writer would curse and shriek, sometimes even banging his fist against monitor, but he would never hurt the keyboard itself. Never.

Often, they would just sit, staring at each other. Lost in thought. Sometimes the writer would look away and try to write something – he hadn’t come up with anything good for months – but his gaze and his thoughts, would always be drawn back to the keyboard. He had been known to rest his thumb upon the CTRL button, his second finger against the END button and, for several minutes, gently rub his third finger back and forth against the PAGE DOWN key. Much to the delight of the keyboard, who would softly keen, until the writer would be overcome by guilt and snatch his hand away, almost as if it had been burnt.

This state of affairs went on for months.

© 2003 Ben Farmer


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